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don’t expect to hear too many complaints about the rating above. Daydream Nation is a great uniter: You’d be hard pressed to find many fans of indie rock who don’t have some love for this record. That’s partly because this record is great, sure– that’s one boring reason– but it’s also because this record is one of a handful that helped shape the notion of what American indie rock can potentially mean. It’s almost a tautology: Indie fans love Daydream Nation because loving stuff like Daydream Nation is part of how we define what indie fans are.

Not that there wasn’t plenty of underground music in the U.S. before this album’s 1988 release– hardcore punk, high-art avant garde, quirky college rock, DIY, weirdo regional scenes. But the notion that all those Reagan-era discontents might be in the same boat– a new Alternative Nation just beginning to converge– hadn’t yet been fully articulated.

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